Julian Talamantez Brolaski's Sky Hammer is a collection of poems that roves through Philadelphia streets and the heart of empire, seeking meaning and solace amidst the "trash and shit everywhere and the glory/and the beauty and the smashed yuengling bottles." What is the role of the poet in the glum wastes of urban detritus and deprivation? Brolaski, in its wisdom and spirit, finds that it might just be discerning "a purple martin from a starling/ a cowbird from a grackle," or perhaps living "in love w/ one another/ as long as the creeks should flow." Here is one of our finest poets finding the lightening slivers of liberation and succor in the shadows of all this horror, charting an Indigenous dérive of possible hope in the Lenapehoking.
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Review in The Poetry Project Newsletter by Ken Walker
SAMPLE POEM:
flock of stars
should I be a shepherd,
eyeing my flock of stars ?
riding backward on the train
thru unromantic newark to
a garden in new york where I’d
meet my friends, poets, the ones
who knew what nectar
tasted like and once they had taken
the nectar into their bodies well
others began to seek them out
longing for that sweetness
on their tongue they leaned against
a wall of flowers and wore caps emblazoned
w/ a single blue rose bees swirled
lazily but purposefully about
I am accurate to my surrounds, they sang.
I can swim in a drop of dew
I can make a flower spurt
from my finger
rock in a snowball
jelly in a donut
I heard a revelator say there’s gold
in the head of the bear
and my aspect is all simplistic
SAMPLE POEM
the bear and the salmon
it lyked to eat salmon w/ its
fingers like a bear
and then use those fingers
to clean its glasses
COME CORRECT interrogates the origins and edges of writing and the writer. Writing becomes marks, scratchings, imitation, physical sensation, infection- and is continuously propelled. “I cancelled/class to write this poem I a little bit counted chickens.” This is at once coming from a transgressive linguist, writing poetry alive with diverse ‘englyssh’ which flows through deeply thought quotidian moments.
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SAMPLE POEM:
pyramidal, its certain form
pyramidal, its certain form
certain it is a form wittgenstein or anyone
can think of a stag in their mind
but not be able to shoot that stag
and where is all that everlovin antimatter
that matter supposedly co-creates?
at the end of the dream, the poem
at the end of everything what else, the end sighs sor juana
the doors have an 11 minute song called ‘the end’
which feels serious when you are 11 and stupid
six or eight or ten months later nor did I offer up my own dream
which was a meadow in my cup meadowtation ha ha ha
the shipkissed the sands of galenic shores at the buttressed
end of my dream where spectacles do not fear to interpose
long fallen out of the mouth of vishnu so long gabriel so long usen
now the instrument of my reflection no longer necessary since
the inside is the out and I’ve jiggered the mechanism
such that my jackets always dry & clean & my
cock is hard only when I want no more embarassing
sublunarities and my cunt is wet just as my lover thinks
of fucking it cities appear golden to my gaze a figure
empyreal arises in shadow long for this world aching on the
threshold of my upturned arse and my one
ways and means, lilified cloak enmaned
w/ tresses, baldly dignified, the cloak was
regal it did not speak, yet Diogenes lept on it, yet the trumpets
pointed one direction entrained to a kind of roseate beam
the same pink beam Philip K. Dick saw
emanating from that fish necklace around the neck of
the delivery girl he saw in his doorway after he’d
had his wisdom teeth removed
that same beam that triangulated
w/ Arcturus, aka Alpha Boötis to flash up and
hit it smack in the third eye till it and we and we are bent sobbing,
having given up our library, having died of the
plague and worse, having vowed never again to write w/ pen and
ink having inscribed yo la peor, I the worst, in blood
on the back of a dirty pamphlet, but oh what
unmiserable mind is this no me miserum noli mi tangere
nothing miserable nothing touches me
SAMPLE POEM:
babyperson
I’ve a thing for entitled urchins.
-Kate Colby, Unbecoming Behavior
the offal of gold
—perpetuity anon
—embraced in parts
tech support in tatters
dont want the ppl who
dont want you
the actual potato
who on and off are not even listening
tied on
in ‘peace’
succumbing to subpar meat
effit on the avnue
to ‘keep it lo’
xe calls xemself a ‘singersongwriter’
allalong awwful // by shades
mercy
as uttered by orbison
cherry cola to rhyme w/ l-l-l-lola
melodious offal, the kind of content you flip thru backward
one harumphs
uneasily along
who to hold doors for
who to allow to hold
doors for
the way to be
a fool with a tool
who admit to not even listening
to thir own babyperson
going around adding –ess to nouns
lion-ess
poet-ess
that’s such a load
so that the daffydill yawns back
the one who taught me grk is dead
you want to put them in your lap
OTHER CHAPBOOKS (out of print):
-Madame Bovary’s Diary (Cy Press 2005)
-The Daily Usonian (Atticus/Finch 2004)
-Letters to Hank Williams (True West Press 2003)
-Hellish Death Monsters (Spooky Press 2001)